Introduction:
Haiku as worldwide verse – the very idea appears to be undeniable. After all, what began half a millennium ago as a Japanese poetic form now earns worldwide appeal and acclaim. For countless schoolchildren around the planet, from Aberdeen to Zhaoqing, haiku represents their first exploratory flight into the vast expanse of poetry. Haiku is created in dozens, maybe hundreds, of dialects beyond Japanese and English: Bengali hā'iku, Yiddish hʼayqw, Arabic alhaykw, Greek χαϊκού, Russian xайку, Mandarin páijù, Esperanto hajko. This inescapability, also resultant effect on writing and culture, generally owes to the way that the haiku is – in simple emphasis – any unrhymed sonnet in three expressions of five, at that point seven, at that point five syllables. By all means the tiniest major poetic form on the planet, probably the most recognized and practised, the haiku is so simple, even a kid can do it.
Haiku Definition:
A haiku is a
particular kind of Japanese sonnet which has 17 syllables partitioned into
three unrhymed lines of 5, 7, and 5 syllables. Haikus or haiku are ordinarily
composed to evoke natural imagery. The word haiku (articulated hahy-koo) is
originated from the Japanese word hokku
signifying "beginning stanza."
Haiku History:
During the Heian
time of Japanese culture (700-1100), it was a social necessity to have the
option to immediately perceive, acknowledge and present Japanese and Chinese
verse. It was around this period that short types of verse (tanka) developed in
notoriety over long types of verse (choka). The unbending ways of life of the
time continued into workmanship; each sonnet needed to have a particular
structure. The endorsed structure was the 5-7-5 trio followed by a couplet of
seven syllables (this was the Japanese proportional to the predictable rhyming
of Shakespeare's England).
From this
structure built up the renga (connected section) and the kusari-no-renga
(chains of connected stanza). These structures were utilized nearly as parlor
games for the first class. Nonetheless, during the sixteenth century there
started an ascent in "laborer" verse. It was then that Japanese verse
went through a resurrection wherein the grave types of the past were supplanted
with a lighter, airier tone. This new structure was called haikai and was later
named renku.
Haiku originates from a "first
refrain" called hokku. The hokku was viewed as the most significant aspect
of the sonnet. It had two head necessities: an occasional word (kireji) and a
"cutting word" or outcry.
Japanese writers started to adopt
unfamiliar scholarly strategies in verse as Japan was opened up toward the
West. Columnist, author, and writer, Masaoka Shiki, exploited when he
authoritatively made hokku an autonomous sonnet during the 1890s called haiku (singular
and plural spelling) and carried haiku into the twentieth century.
The artist Matsuo Basho mixed
another reasonableness and affectability to this structure in the late
seventeenth century. He changed the poetics and transformed the hokku into an autonomous
sonnet, later to be known as haiku. Basho's work centered around the idea of
karumi (a feeling of lightness) - to such an extent that he rejected the
conventional syllabic constraints to accomplish it.
Haiku Form:
Haiku poetry form
and structure in terms of haiku syllables
and sentences is very complicated if one aims to translate it in another
language. A few translators view that 12
English syllables would relate more closely to the 17 sounds approached
utilized by Japanese haiku poets. Another basic contrast brought into the world
out by translations is that Japanese haiku are composed straight across in one
line, while English-speaking artists utilize two line breaks to isolate their
sonnet into three lines.
Notwithstanding, there is a typical
structure that most haiku sonnets follow. It is the 5-7-5 structure, where:
The whole sonnet comprises of only
three lines, with 17 syllables altogether
The main line is 5 syllables
The subsequent line is 7 syllables
The third line is 5 syllables
Punctuation and capitalization are
up to the poet, and need not follow the rigid rules used in structuring
sentences.
A haiku does not have to rhyme, in
fact usually it does not rhyme at all.
It can include the repetition of words
or sounds
Haiku how to Write: Step by Step Guide
In the early periods of English haiku composition, the predominant philosophy how to write haiku was, sometimes implied and occasionally expressed, as being: if the author's mind/ heart was correctly aligned in the "proper" attitude, while experiencing a so-called "haiku moment," one merely had to report on the experience to have a superb piece of haiku.
And while many
others shared the frustration of having a truly life-altering moment of insight
and then never being able to write a decent haiku that expressed the wonder and
majesty of that moment. They would ask, what was wrong with me?
The truth is:
probably all of the bellow points can change one's ability to write good haiku.
1. Before you can figure out how to compose haiku, you should have the option to read haiku in order to better understand haiku. That sounds genuinely straightforward, yet like all that else worried about haiku, levels are covered under levels and archaic exploration appears to be a piece of cake in warm sand.
2. Read them not exclusively to perceive what has been thought, and to delight in this sharing, but allow the words to move across any similar memory or past idea you may have had. In this manner the haiku get your examples as iron filings arrange themselves on a magnet to be changed in a once in a blue moon relationship.
3. Ask your mind why you are writing haiku. The primary answer is "simply you can!" But to get it done you need to train your mind. Haiku can be spoken and left just to linger palpably. Or then again you can record them on the littlest bit of paper—to spare and relish the idea of your snapshot of motivation. When you start to save your though, your ideas, your musings, you will all the more cautiously notice the thoughts of others which have been saved as haiku.
4. Be Ready to Change Your Ideas of Poetry. Verse is the thing that occurs between the words. Words resemble signboards or waymarkers that permit the reader to follow the steps the author's mind has taken to come to a poetic idea. Vision is seeing, and in seeing we identify the thing which is portrayed in a new style.
5. Choose what sort of haiku you'd prefer to compose. You can decide to follow the 5-7-5 syllable style, or choose you need to be more experimental with your structure and modify the quantity of syllables. In case you're composing an English haiku, you'll separate your sonnet into three lines.
6. Decide your topic. Focus on little subtleties around you. Nature topics are generally regular in haiku, so begin to see things like flying creatures or leaves outside, the manner in which the air feels, or even a smell noticeable all around. Just follow your passion of likeability as well as readers’ choice too.
7. Draft a chart of words related to the subject you have picked. Try to be as descriptive as possible. Consider sentiments and feelings as well.
8. Use short phrases that evoke strong images. Think of how Japanese poets use kigo, and choose images that symbolize a season (say, blossoming cherry flower for spring) to set a mood with very few words.
9. Use a kireji or “cutting word” to create a break in the meter. Remember to use punctuation in conjunction with a kireji to control the rhythm of the poem.
Compose two lines about something delightful in nature. You can utilize the photos underneath to give you thoughts. Don't worry about counting syllables.
11. Compose a third line that is a total surprise that is tied in with something totally unique in relation to the initial two lines.
12. Use verb forms in present tense.
13. Avoid capital letters and punctuation.
14. Avoid rhymes.
15. Have your eye at the three lines together. Does the mix of these two apparently random parts propose any astonishing connections? Does it give you any fascinating thoughts?
Haiku Rules:
1. Write 5-7-5
syllables in the three lines.
2. Write lines
of any length but have only seventeen syllables in the whole haiku.
3. Write
seventeen syllables in one line.
4. Write
seventeen syllables in a vertical (flush left or centered) configuration with
one word on each line. This method makes one read the work more slowly because
the eyes must travel back and forth so often.
5. Use less than
seventeen syllables written in three horizontal lines as short, long, short.
6. Use less than
seventeen syllables written in three vertical lines as short, long, short.
7. Write what
can be said in one breath.
8. Use a season
word (kigo) or seasonal reference.
9. Use a caesura
at the end of either the first or second line, but not at both line ends.
10. Never have
all three lines make a complete or run-on sentence.
11. Have two
images that are only comparative when illuminated by the third image. Example:
spirit retreat / cleaning first the black stove / and washing my hands
12. Have two
images that are only associative when illuminated by the third image. Example:
fire-white halo/ at the moment of eclipse / your face
13. Have two
images that are only in contrast when illuminated by the third image.
Example: two
things ready / but not touching the space between / fire
14. Always write
in the present tense of here and now.
15. Make limited
use, or non-use, of personal pronouns.
16. Use personal
pronouns written in the lower case.
Example: i am a
. . .
17. Eliminate
all the possible uses of gerunds ("ing" endings on verbs).
18. Study and
check the articles. Do you use too many of the words "the" or
"a," or too few? Are they all the same in one poem or are they
varied?
19. Use common
sentence syntax in both the phrase and the fragment.
20. Use three
sentence fragments.
21. Study the
order in which the images are presented (e.g., first the wide-angle view, then
the medium range, and lastly the zoomed-in close-up).
22. Save the
"punch line" for the end line.
23. Work to find
the most fascinating and eye-catching first lines.
24. Write about
ordinary things in an ordinary way using ordinary language.
25. Study Zen
and let your haiku express the wordless way of making images.
26. Study any
religion or philosophy and let this echo in the background of your haiku.
27. Use only
concrete images.
28. Invent
lyrical expressions for the image.
29. Attempt to
have levels of meaning in the haiku. On the surface it is a set of simple
images; underneath, a philosophy or lesson of life.
30. Use images
that evoke simple rustic seclusion or accepted poverty, (sabi)
31. Use images
that evoke classical, elegant separateness. (shibumi)
32. Use images
that evoke nostalgic, romantic images of austere beauty, (wabi)
33. Use images
that evoke a mysterious aloneness. (yugen)
34. Use a
paradox.
35. Use puns and
wordplays.
36. Write of the
impossible in an ordinary way.
37. Use only
lofty or uplifting images—no war, blatant sex, crime, or local news.
38. Tell it as it
is in the real world around us.
39. Use only
images from nature with no mention of humanity.
40. Mix subjects
of humans and nature.
41. Designate
humans as non-nature and give all these non-nature haiku another name, such as
senryvi.
42. Avoid all
reference to yourself.
43. Refer to
yourself obliquely as the poet, this old man, or with a personal pronoun.
44. Use no
punctuation for ambiguity.
45. Use all
normal sentence punctuation.
: = a full pause
; = a half stop
or pause
. . . =
something left unsaid
, = a slight
pause
— = saying the
same thing in other words
. = full stop
46. Capitalize
the first word of every line.
47. Capitalize
the first word only.
48. Capitalize
proper names according to English rules.
49. All words in
lower case.
50. All words in
upper case.
51. Rewrite any
rhymes.
52. Rhyme last
words in the first and third lines.
53. Use rhymes
in other places within the haiku.
54. Use
alliteration—repetition of sounds—that relates to the subject matter in order
to increase a certain feeling.
55. Use the
words that you hear in your head only.
56. Always end
the haiku with a noun.
57. Write haiku
only from an "aha" moment.
58. Use any
inspiration as a starting point to develop and write haiku.
59. Avoid too
many, or nearly all, verbs.
60. Cut out
prepositions (in, on, at, among, between) whenever possible, especially in the
fragment.
61. Eliminate
adverbs.
62. Don't use
more than one modifier per noun. Their use should be limited to the absolute
sense of the haiku.
63. Share your
haiku by adding one at the close of your letters.
64. Treat your
haiku like poetry; it's not a greeting card verse.
65. Write down
every haiku that comes to you. Even the so-called bad ones. It may inspire the
next one, which will surely be better.
A Haiku about Haiku:
I am first with five
Then seven in the middle --
Five again to end.
Japanese Haiku Poetry
this autumn
with no child upon my lap
gazing at the moon
Onitsura
until last year
scolding over muskmelons
now an offering
Ōemaru
quiescence!
voices of cicadas
piercing stone
Bashō
on the horizon
no hint of imminent death:
cicadas crying
Bashō
how woeful!
the wail of a cicada
caught by a hawk
Ransetsu
caged bird
glaring with envious eyes
at butterflies!
Issa
chopsticks dropping
not for the thunderbolts
but for the cuckoo
Muchō
mandarins!
nobles of yore taking up
bows and arrows
Buson
even stones and trees
incandescent to the eye –
sweltering heat!
Kyorai
lone fly
closing in around me –
winter confinement
Gyōdai
paperweights
on the store’s comicbooks –
spring breeze
Kitō
the mistress –
only four or five inches
and her work is done
Author
unnamed
merely diddled
the maidservant’s face appears
down in the mouth
Sekishi
being skilled at
feigning infatuation
makes one popular
Shūba
heaven knows! earth knows!
the whole neighbourhood knows!
except the parents
Shishōshi
Haiku about Nature
Here is a small list of haiku on nature.
1.Leaves gracefully dance
As if the wind tickles
them
Whoosh! the wind sings
only.
2. Busy little ants
Doing work for their
kingdom
Marching like soldiers.
3. Tree branch sways slowly
As a child sings a sweet song
Gracefully it goes
4. A great wide valley
Birds flying freely and wild
Over horizons.
5. Fresh scented flower
Makes a kid smell near to it
Achoo! Oops, bless you
Haiku for Love
1. I love you like mountain snow
so fresh, so fallen
but the path waits for breaking
2. I spoke you into life
My words unbraiding your bones
Don’t you need me now?
3. Together in clime
We two stones stood for decades
slanting ever near
4.
For you to touch me
I have to traverse planets
Why don’t you see me?
5.
Take me into space
Where no one can hear us scream
Hold me between stars
6.
Your breath on my neck . . .
Let’s hold each other tightly
and pray for new death
7.
I have wanted you
since we were born in shadow
Demon loverboy
Haiku on Life:
1. We can't
resist it.
When we laugh at life's folly,
our heart is singing.
2. Children playing games.
Hide and seek and kick the can.
An old man skipping.
3. Tears, moist emotions.
A lost love, fond memories,
joy in good fortune.
4. Consider me
as one who loved poetry
and persimmons
5. My life
How much more it remains?
The night is brief
6. When you touch
a life,
strive to leave it the better
for the change you
make
7. Life without
challenge
is life denied any chance
for one to achieve.
8. Some believe they
can,
Some believe that they cannot.
Both are clearly right
9. We are successful
the moment we start toward
a laudable goal
10. The world around
us
conforms to expectations
we place upon it
Haiku Poems for Kids:
1. My
homework is late
Dog ate it before breakfast
Very helpful dog
2. Santa
is coming
He rewards good behavior
No presents for me
3. Goblins, witches,
ghosts
Loud banging on my front door
I hide the chocolate (about Halloween)
Haiku Writer :
Edo period
Matsuo Basho
(1644-1694)
Yosa Buson
(1716-1783)
Kobayashi Issa
(1763-1827)
Meiji period and later
Masaoka Shiki
(1867-1902)
Takahama Kyoshi
(1874-1959)
Saito Mokichi
(1882-1953)
Taneda Santoka
(1882-1940)
Nakamura Kusatao (1901-1983)
Non-Japanese
Jorge Luis
Borges
Allen Ginsberg
Jack Kerouac
Octavio Paz
Gary Snyder
Richard Wright
Indian Haiku Poets
Anitha Varma
Johannes
Manjrekar
Madhuri Pillai
Pravat Kumar
Padhy
Ramesh Anand
Kala Ramesh
Haiku Generator or Haiku Maker
If you wish you can write
haiku easily through the following online haiku generator:
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