“The Restoration
comedy of manners reached its fullest expression in The Way of the
World (1700) by William Congreve, which is dominated by a
brilliantly witty couple.” The themes of the
Restoration comedy of manners are love, marriage, adulterous relationships
amours and legacy conflicts; and the characters generally include would be
wits, jealous husbands, conniving rivals and foppish dandies.
The society depicted in The Way of the World is the upper class fashionable society of
London. The action of the play takes place in three places. The first is the
chocolate House which was used for socializing and entertainment during the
Restoration. The second is St James’s Park in London where the upper
class people walked before dinner. The third is the house of Lady Wishfort, an
aristocratic woman.
Most of the male and female characters of the play are
cultured, talented, formal, artificial, fashionable, depraved, ‘cold’ and
‘courtly’. Their qualities are actually a part of Restoration age culture.
The Restoration period was an age of loose morals and, and was devoid
of moral values. The Way of
the World contains this current through the illicit love and
adulterous relations – e.g. relation between Fainall and Mrs. Marwood, between
Mirabell, the hero, and Mrs. Fainal.
Love intrigues occupy an
important place in the plot of comedy of manners. It is the major theme of the
play. The Way of the World
follows this convention. The entire play deals with the intrigues of Mirabell
to gain the hand of Millamant. To achieve his aim, he pretends to make love to
Lady Wishfort, an aged lady. When he fails, he hatches a deeper plot. At any
cost Lady Wishfort wants to have a husband. Thus he gets her servant married to
Lady Wishfort's maidservant.
In The Way
of The World, we are acquainted with the vanities, affectations and fashions of
the time. Mirrabell satirically remarks in the proviso scene on women’s
fondness of wearing masks, going to the theatre with or without their husbands’
knowledge, idle gossip, slandering the absent friends etc.
The
Way of The World brings before us witty Restoration ladies and gentlemen even
their servants and fools are witty. As a result, the dialogue is throughout
witty which is something unrealistic. Therefore the play, like other plays of
its kind, is called an ‘artificial’ comedy.
The characters in the comedy of
manners are of a set pattern. They are largely types. Sometimes their names
show their characteristics. In such comedies we find fops and gallants in the
company of gay ladies and butterflies of fashions. We find giddy girls, lustful
women, deceived, jealous and impotent husbands. Fops and ladies spend their
time to conspire against their rivals in love.
Thus, Congreve’s The Way of the World has all
the ingredients and flavor of a perfect comedy of manners.
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